PICASSO’S ARTFUL OCCUPATION –
MICK’S REVIEW (13 March 2014)
Picasso’s
Artful Occupation -The ‘Curtain’s Up, Barons Court Theatre, until 30 March
Ian
Buckley’s new play is another of his thought provoking creations based on a
real life situation. Readers may remember another of his plays, ‘The Tailors
Last Stand’ performed at the same theatre a year ago.
Picasso’s
Artful Occupation is based on an
incident that took place in German occupied Paris in 1940.
France had
quickly surrendered to a German invasion and Picasso, living in exile from
Spain, was ordered to make an inventory of all his paintings, and their
probable costs.
This forms
the backdrop to an intriguing encounter between the artist and the two German
officers sent to list his works.
The play
comprises three characters, Picasso himself and the two widely differing German
officers, Frisch and Hebbel.
The scene is
set entirely in the vault of the Banque National du Commerce and de l’Industrie
in Paris where the artist stored his paintings.
We know from
the outset that there is little danger to Picasso’s safety. He was an artist of
international renown and although the Nazis cared little for what they called
‘Bolshevik degenerate art’, of which his work was a part, the international
repercussions to ending his life would be too great.
What
transpires is an intriguing and fascinating exchange between the artist and the German
officers with Picasso emerging as a clear winner. In the closing few minutes of
the play Picasso divulges his raison d’etre for lies and deception, ‘you can’t
be honest in a dishonest world’.
He uses
manipulation, intrigue, even the threat of knowing the officers’ commander in
order to thwart their attempts to catalogue and price his works. In this he is
helped by one of the German’s desire to finish the job quickly and meet with
his mistress.
The other,
although conscientious, finally succumbs to his wishes, but not before Picasso
has dropped strong hints to both of them that he knows the officer in overall
change and in the event of any disagreement he may have to call on the services
of this higher authority.
It proves to
be unnecessary. The artist gets his way. The paintings are listed but the
prices are ad hoc, based on size rather than value.
Three strong
performances from Gary Heron as Picasso, Roberto Landi as Officer Willi Frisch
and David O’Connor as Officer Franz Hebbel, the officer who gets to spend the
day with his mistress after Picasso’s triumph.
Well worth a
watch.
Mike Squires
50 Elmfield
Road
Balham SW17
8AL